It seems that there is still money to be made in stock photography, but like everything else, the world has changed. Where in the past there was royalty-free and right-managed stock only, there is now micro stock and direct sales as well. And questions about quality versus quantity remain. Is it better to edit and submit many images hoping to make more sales, or is it better to submit fewer, but better images?

According to the panel (Sarah Fix of Blend Images, Ellen Boughn and Jonathan Ross), you want repeat sales, so your business strategy needs to be based on how you can make that happen. Agencies and clients want to see that your sell-thru rate is high, and keeping your selects down will give the images you do submit a better chance of a higher sell-thru rate. So when they search your images or want to know more about you as a stock photographer they can see that you make money.

Sarah Fix made some great points about knowing your competition. Echoed by Jonathan Ross, they both spoke about looking at agencies and other shooters and identifying holes in the coverage. You have to be smart and strategic in approaching your career. But isn't that true for anything?

Jonathan also made another point worth considering: think about the way you shoot and how well your image works as a thumbnail. If you open the front page of any agency there will be a grid of thumbnails. The ones that speak most clearly at that size are the ones people will open. So shoot cleanly and with clarity--crafted quality. Make your work stand out.

If you shoot travel and are wondering how to do more, and wondering what to do when there's no money to travel to exotic locations, remember this: You can shoot in your own backyard. Someone is interested in where you live, so take what you know and put it to use to build a great, intimate library of images that no one else would have of the place where you are. You know it best.
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ASMP New York has relaunched SHARPEN, the online magazine of ASMP New York.

Today begins a new feature, a weekly “spotlight” of our fellow ASMP NY members.  I'll introduce inspiring men and women that are world renowned, at the beginning of their careers, and somewhere in between.  Here we'll celebrate each others accomplishments and how their work moves the world forward. My name is Teresa Kruszewski, a current board member and the fortunate person to spend time with each member and get to know their story.  I hope you enjoy our new feature.

Huge thank you to Elizabeth Avedon, Holly Stuart Hughes, Jody Quon, Marc Sobier and Hosanna Marshall for taking time to delve deep in all the wonderful imagery everyone submitted. Tough decisions but lots of fun! Enjoy the pics by Alex Geana.

ASMP New York has Relaunched SHARPEN, the online magazine of ASMP New York. We have daily news, features, advice and over 20 columnists.

ASMP New York has Relaunched SHARPEN, the online magazine of ASMP New York. We have daily news, features, advice and over 20 columnists.

I admit, it has taken me a long time to get used to the notion that a photo taken with a cell phone is totally acceptable. I was a student of old school photography and I wanted to remain that way for a long time. However, there is a time when one should swallow their pride and admit that technology changes. That was me about 4 years ago. I've had a Hasselblad, a Canon AE-1, a Holga, a Polaroid land camera and still have a Nikon SLR D40x.

(A wonderful perspective and advice for our community.)

PRESIDENT’S LETTER

It’s Just Business

Several recent threads on ASMP’s on-line forums have dealt with photographers’ frustration with client negotiations. Clients were proposing budgets below and terms beyond what the photographers considered fair. Photographers lamented that clients continually refused to see the value in what they provide.

Photo by Ruben Natal-San Miguel, from the Nocturnal/Activo series, Bronx, 2012.

THIS SATURDAY!!!

Bronx Masquerade brings together ten emerging Bronx artists who uncover the true stories of the young people in the Bronx.

Featuring: Melissa A Calderon, Xavier Figueroa, Isabel Figueroa, Edwin Gonzalez, Glendalys Medina, Amy Payor, Elle Perez, Tiana Markova-Gold, Lisa Napier, Ruben Natal-San Miguel, and Jay Paavonpera.

We would like to ask you help us support a former ASMPNY President in this election. As many of you know, Thomas Werner was central to the rebuilding the of New York Chapter, helping to create the strong and vital chapter that you know today.

As a reviewer for the 3rd year in a row I remembered how fast-paced the reviews can be. How stressful it is for the person getting reviewed. It reminds me of what speed-dating must be like. You have to be prepared for your "elevator speech" -describing in less than a minute what your work is about and for the lasting 9 minutes you are engaged with your chosen reviewer.
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Tuesday, Feb 7th is the annual Fine Art Portfolio Reviews, are you ready to show your stuff?

6:45-9pm

***Only prints will be reviewed (no iPads or laptops) unless the work is meant to be exhibited in a museum or gallery hooked up to a computer.

Get your book reviewed by some of the most prestigious names in the business.

Aperture

Elizabeth Avedon

Jen Bekman Gallery

Steven Kasher Gallery

PDN

Reinberger Galleries

The Center for Photography at Woodstock

Plus many more....
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I've been in the art and photography industry for 15 years as a photographer, curator and art consultant. I've been fortunate to work with ASMPNY as a portfolio reviewer as well as a panelist for photography events here in the city. Earlier this year my exhibition, "Hotter Than July" was reviewed by senior art critic of New York Magazine, Jerry Saltz. In the past I founded veaux.org, a site for emerging creatives with a gallery space in Chelsea as well as curator/consultant of exhibitions for the Hipstamatic iphone app. Currently I'm working on a project documenting the New York art world while curating exhibitions around the city.
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